If you’re interested in learning professional Photography and image processing techniques and workflows (among other things) creativeLIVE have some really awesome stuff online. I’ve only viewed their Photography and image processing related courses so I can’t vouch for anything else but they offer the live broadcast of every course free to everyone that’s enrolled (you need to sign up and create a login, also free) as well as the subsequent re-broadcast.
They’re currently offering a pretty significant discount/sale on all their courses and continuous free re-broadcasts of some of their most popular courses (wedding photography, portraiture, outdoor shooting, image comp and processing, photography business etc).
So now might be a good time to try them out.
Disclaimer: All images (2 screenshots from the Creative Composition course at creativeLIVE), remain copyright of their original owners and are used here for purposes of illustration and review.
All opinions expressed in this post are my own and are not sponsored or funded in any way. My recommendations are based purely on the courses I’ve viewed, which I felt were great value.
Gratitude, for friends who accept me as I am,
Thank you Yoshimi, Maria and Kristiann (and Simon) for flying out to Melbourne and spending the weekend with me. Thanks also to Yoshimi for the high-res photos, enlightening conversation and the big city sleepover, and Simon and Hui Nie for taking photos at various locations/events. Big ups to everyone that made it to the meetups: Claire, Hui Nie, Jenny, Kate, Nicole, and Raquel I really enjoyed hanging out with you all.
Thanks to the staff at Masons of Bendigo for accommodating a big group with gracious service and delicious food. And finally, massive thanks to Leanne, the curator at the Bendigo Art Gallery for stopping by (on her day off) to welcome us to the Modern Love exhibit and spend some time with us. A good time was had by all.
Happy Thanksgiving to all those that celebrate it. And those that don’t.
Image 1: Me (burdastyle 04/2013, dress 108), Jenny (vintage), Kate, Kristiann (self-drafted), Yoshimi and Maria (in Victory patterns Nicola and Chloe which they changed into at the NGV), Raquel (RTW rub off top, Simplicity 1940s pants) and Claire (Collette) at the NGV International front foyer for the Edward Steichen and Art Deco Fashion exhibit. We then went to All that Glitters exhibit at the Arts Centre next door and the Textiles of Michael O’Connell Exhibit at the Ian Potter Centre up the street.
Image 2: Maria, Jenny, Raquel (check out the fit on those pants) and me (Bendigo Art Gallery gardens)
Image 3: Jenny (best expression ever), Raquel and I (Bendigo Art Gallery gardens)
Image 4: Royal Exhibition Building, Carlton, Melbourne.
Image 5: The Fabric Store Brunswick Street, Melbourne.
Image 6: In front of the competition wall at the Bendigo Art Gallery’s entrance to the Modern Love Exhibit (reviewed here, here and here) in Patrones 273, Dress 23 by Hoss I might even review it at some point (big thumbs up, excellent pattern for upcycling saris, oh yea).
Image 7: The dessert tasting platter at Masons of Bendigo (the flowers are edible)
Image 8: Hui Nie, Jenny, Me, Maria, Nicole, Leanne and Raquel at the Bendigo Art Gallery
Image 9: Kristiann, Maria, Hui Nie, Yoshimi, me, Raquel, Claire and Kate at Gekkazan in Melbourne’s GPO
Image 10: The Melbourne Museum (we spent two hours in the Designing 007, 50 years of Bond style exhibit. Yes they have the Grace Jones dress).
Disclaimer: All images remain copyright of their original owners and are used here for illustration and review.
Modern Love opens this weekend at the Bendigo Art Gallery, Victoria. To set the stage, here’s FIDM Museum curator Kevin Jones’ favourite piece from the exhibit: A Christian Lacroix evening gown from the F/W ’91 collection.
The dress was draped straight onto the mannequin in separate parts: each skirt layer was cut out of silk chiffon, individually hemmed and pleated, then draped in place and sewn on by hand.
The pleats on the skirt consist of narrower sets at irregular intervals rather than being continuously spaced all around. I wondered if that’s what kept the hem even in those areas. It certainly makes for a more natural drape overall.
The bodice and skirt portions have separate closures: a concealed zipper (hand-picked) for the bodice and concealed snaps for the skirt portion.
No shots of the closures-there was no way to get a camera back there to frame the shot. You should totally go see it for yourself though (and while you’re there, take a selfie and submit it to the competition)-everything’s set up for maximal viewing pleasure i.e. the mannequins are displayed so both the fronts and backs of the garments are clearly visible, closures and all.
My absolute favourite detail about this dress? It’s invisible. Unless you go looking for it. Like so.
I’d like to give a massive shout out to the Bendigo Art Gallery and the FIDM Museum for allowing me to preview the exhibit and to Kevin, Leanne, Dani and Christine for walking me through the exhibit while they were setting it up. I was happier that day than I was on the day I got my PhD (the latter was an anti-climax. The scroll was not made of Platinum. Or vellum. Or even faux vellum paper. Goshdurnit).
Thanks also to Carl for all the awesome photos.
*Yes. The bodysuit has
CREDITS Christian Lacroix (1951-) Paris Evening gown fall/winter 1990-91 Silk velvet, silk chiffon, leather, beads,sequins & rhinestones Anonymous gift
This next one’s gonna be a bit of a shocker.
When the necklines’ so low you need to string a dead animal around your neck to appear ‘decent’ in public.
When the only images of the garment are on a dummy, or worse, on an invisible dummy.
When leaning forward is no longer a socially acceptable option.
Accept that the finished garment will PG-13 on regular humans.
I love this pattern and I really love the mesh-backed sports knit that calicostretch sent me way back in September, 2012 (I made this months ago but it’s been way to warm to wear it.) but I definitely need to do something about that neckline before I make the dress version. I’ve used the top for yoga and silks practice with Emily.
The contrast pockets looked cute when I sewed them in but they’re totally useless for co-ordinating the skirt with anything in a useful manner. But this has already been discussed in detail.
Previously on denim jeans refashioning.
Top Pattern: Knipmode September 2012 Top/Dress 27/28 (I’ve made the top but the dress version is pretty much straight down from the hem on the top-i.e. no tapering from the hips on down).
Fabric: Sports knit from
Modifications: Shortened it at the waist.
Skirt Pattern:Knipmode February 2009, Skirt 3
Fabric: Denim harvested from Carl’s old jeans (I used the original belt loops as is), Robert Kaufman Kitschy Kitchen remnant for the pockets, hammered hot pink silk lining (it’s silk, it’s invisible, ’nuff said), cotton remnant for inner waistband.
Modifications: None. Though I’ll shorten it next time because the tapered hem interferes with my stride and my ability to get off my scooter and park it while simultaneously defying gravity.
Greige. I feel cheated. As if I’d been tricked into reading a ‘women’s interest‘ rag. Carl tricked me into reading the Daily Maul yesterday. This feels worse-possibly due to the fact that it works in both English and Dutch. My spirit rebels.
Disclaimer: All non-self-generated images remain copyright of their original owners and are used here for the purposes of discussion, illustration and humour.
Not a huge amount to say here. Love this playsuit. I’ve incorporated popper buttons (
press studs? Snaps!) along the seam that runs from the inner left hem to the inner right hem. So it’s all cool. I’ve only worn it out once though. Over a bikini. So in that sense it is a bit of a blooper.
I won’t shorten it as much next time. Probably a good idea to modify the wrap front wrap drape as well. The actual garment has two little open-ended tucks at the shoulders that the pattern and the line diagram are missing.
I made the illustrations using Pebeo seta scrib markers. Similar to what I did here (but done months earlier. I made this romper and then winter arrived so there really hasn’t been an opportunity to wear it). Tutorial here.
Pattern: Patrones 315, Playsuit 31
Fabric: Outer-some sort of poly-cotton nightmare that wrinkles like crazy but has a really cute embossed net pattern on it. Lining-cotton voile.
Cotton tights by Marilyn.
Disclaimer: All non-self-generated images remain copyright of their owners and are used here for purposes of discussion and review.
It works like this.